Chatting with Erin Rae

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Erin Rae’s album debut album Soon Enough, released on Clubhouse Records earlier this year was a reminder (as if we needed one) that Nashville is not only an inexhaustible well of talent but it also has the ability to surprise us. I don’t think that anyone would categorise Ms. Rae as typically Nashville, a song like the excellent Clean Slate seeming to cling more to the era of LA troubadours.

With some excellent reviews for the album under her belt Rae is embarking on a major tour of the UK over the next four weeks (all dates here) which will include some shows with her label mate Cale Tyson. On the eve of embarking for the tour she took some time out to talk to Blabber’n’Smoke.

Hi there,
Can I ask you about the opening and closing tracks on the album? They bookend it really well but there’s a different feel, I think, to them than the rest of the album, the vocals more elaborate. Was that deliberate?

Hi! Yes, Light Parts 1 & 2 I think came from a different side of my writing from several years ago. My friend John Furr initially created this beautiful arrangement of the song on his own and surprised me with it. So when we started planning a record I knew I wanted to use that song to tie the whole thing together. The sentiment of the song is empathy for another person’s experience, which is a lot of the basis of the entire record. Cori Bechler, one of the first people I collaborated with creatively, wrote the vocal parts for Part 2. There is also a nod to the first EP Crazy talk. 

You seem to mix an “introspective” type of song writing with a sweet, countrified rhythm, a sound that really comes to the fore on the title song to Soon Enough. I was reminded of Janis Ian and The McGarrigles at times. Are these artists you’ve listened to?

I have not heard The McGarrigles as yet though since the release of our album in the UK I have heard a few folks say there is a similar feeling. I’ll have to listen to them now before we arrive. Janis Ian was not someone I was super familiar with until I was 20 or so. My voice teacher and mentor Phoebe Binkley was a friend of hers and I actually have a signed copy of Janis’s autobiography on my shelf that she gave to Phoebe. The more I’ve learned about her, the greater the compliment of a comparison is. What a brave artist. I hope I can channel some of that. 

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The album was apparently recorded “live” over just two days. Had you and the band been playing the songs for a while?

We had! Most of the songs we had played for at least a year, some of them a little longer but on a couple of them we hadn’t played them before. However, we had been playing together for about 5 years at that point, so even on the newer tunes they felt good pretty quick.

There was a five year gap between your EP release and the album. Was this a case of trying to get a record deal or getting enough songs together for an album?

I think it was a case of early “adulthood”:) Or late childhood depending on the perspective. I was in the midst of writing songs while also living out my early 20s and learning a ton about how to be a person. It’s a messy age, so it just took a while. I think it took about that long for me to shape complete ideas and live those stories out enough to write them. And I think it was just a three year gap! Maybe four for the UK audience. 

Are many of the songs “autobiographical?” I’m thinking of Sleep Away and Minolta for example.

For sure. Most of the songs are, with the exception of Pretty Thing which is a story built from a feeling. 

You grew up in a musical family. What are your earliest memories of hearing music and can you say who your main influences are?

My earliest memories of music are my dad playing with his friend Willie X at Davis Kidd and events around Jackson, TN, and then with my mom in our kitchen. My dad used to do this song called “Smoke, Smoke, Smoke” and I got up at Davis Kidd to sing with him when I was five. “Smoke, Smoke, Smoke that cigarette. Puff, puff, puff until you puff yourself to death! Tell Saint Peter at the pearly gates, that you hate to make him wait, you just gotta have another cigarette”. Hahaha! These little old ladies laughed so hard and tipped us like 20 dollars each.

I think my main influences are my parents along with Greg brown, Kate Campbell, Gillian & Dave, and all those artists that my parents sang songs by. There’s also Nanci Griffith, John Prine, Kate Wolf and Doc Watson. So many! 

You are touring the UK soon. Have you played here before and will you have a band playing with you?

I have only played a couple of shows in Scotland (with Louis of Admiral Fallow) and I played in Switzerland in years past. This will actually be my first time to England and my first official tour in Scotland and I’m so excited about it. I’ll have my trusted friends and players Dominic Billett & Jerry Bernhardt with me for all the dates. Can’t wait!

Erin Rae’s tour starts October 25th in High Wycombe and it concludes with four Scottish dates in November where she will be appearing with Cale Tyson.

Favourite albums of 2015

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Well it’s that time of year again when we make up lists. Some get songs written about them (Santa’s naughty or nice one), some guide us around the supermarket, ensuring we don’t forget that all important stuffing. Blogs. Well, blogs do their “best of the year” lists so here’s Blabber’n’Smoke’s list of our favourite albums of the year. They’re not in any order (other than alphabetical) so there’s no number one and no losers, just some great music. 2015 was a bumper year for country music with young artists wresting the spotlight away from the ‘bros; back home there were some excellent releases that have received international recognition on websites, blogs and radio stations scattered across the globe. I’ve separated local releases simply because I think it’s important to highlight Scottish made music, had it been a straightforward top ten several of these would be in there. I’ve provided links to reviews where possible.

My thanks to all the artists, PR Agents and labels who have been kind enough to submit their efforts for Blabber’n’Smoke scrutiny, we love you. To them and to all readers have a happy festive season however you care to celebrate it.

Anna & Elizabeth. Anna & Elizabeth. Free Dirt records

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Brent Best. Your Dog, Champ. At The Helm Records/Last Chance Records

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David Corley, Available Light, Continental Song City

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Danny and The Champions Of The World, What Kind Of Love, Loose Music

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review

Justin Townes Earle. Single Mothers/Absent Fathers. Loose Music

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Barna Howard, Quite A Feelin’, Loose Music

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Sam Lewis Waiting On You. Brash Music

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Jeremy Pinnell OH/KY Sofaburn Records, 2015

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Michael Rank & Stag. Horsehair. Louds Hymn Music

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Daniel Romano, If I’ve Only one Time Askin’, New West Records

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Pharis and Jason Romero, A Wanderer I’ll Stay, Lula Records

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Sacri Cuori, Delone, Glitterbeat

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Cale Tyson, Introducing Cale Tyson, Clubhouse Records

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Homegrown

Stevie Agnew & Hurricane Road. Bad Blood & Whiskey. Skimmin’ Stone Records

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Dark Green Tree, Secret Lives, Haven Records

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James Edwyn & the Borrowed Band – The Tower

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Daniel Meade Keep Right Away. From The Top Records

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Iain Morrison. Eas. Peatfiredog Records.

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Findlay Napier. VIP Very Important Persons Cheerygroove Records.

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Dean Owens. Into The Sea. Drumfire Records

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The Wynntown Marshals, The End Of The Golden Age, Blue Rose Records

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Honourable mentions

Lewis and Leigh Hidden Truths EP.

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Blue Rose Code Grateful

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And that’s about it. Lots to look forward to in the New Year, not least albums from Norrie McCulloch and Blue Rose Code in the next few weeks and of course, Celtic Connections. See ya.

Kilkenny Roots Festival 2015. 1st – 4th May 2015

Since 1998, The Kilkenny Rhythm and Roots Festival in south east Ireland has attracted some of the finest names in the Americana canon; acts like Calexico, Giant Sand, Ryan Adams,Alejandro Escovedo, Mark Eitzel, Guy Clark, Chuck Prophet, Ray LaMontagne,Richmond Fontaine, John Murry and Rodney Crowell. Last year it won the Irish Best Small Live Music Festival while one of its main venues, Cleeres won the Best Live Music Venue in Leinster award.

This year’s festival is from 1st – 4th May and is jam packed with some spectacular acts. Calexico, , Lee Bains III & The Glory Fires, The Barr Brothers and Sons Of Bill and a songwriting circle of Aiofe O’Donovan, Sara Watkins and Sarah Jarosz are just some of the acts announced to play.  Also on the bill are Ryan Boldt, head honcho of Canada’s Deep Dark Woods,  ace new country singer-songwriter Cale Tyson, Glaswegian Daniel Meade and a rare Irish date for the acclaimed US songwriter Eef Barzelay. US band Daddy Long Legs will close the festival on the Monday night with their unique brand of primitive rock n roll. In addition there will be a number of free gigs around the town all weekend as part of the Kilkenny Roots heritage trail. By all accounts this is a fabulous weekend with the Guinness flowing throughout and a great opportunity to catch some stellar acts in intimate surroundings and while Blabber’n’Smoke can’t make it this year we’re booking up for 2016 as we write.

Tickets and general information can be found on the website http://www.kilkennyroots.com and apparently the box office, Rollercoaster Records is, we are reliably informed, not only the best record shop in Ireland but the happiest little record shop in the world!

Here’s a video made for the 2013 Festival

Best of 2014

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There’s a lot or pros and cons when it comes to listing end of year best ofs or favourites. Two years ago Blabber’n’Smoke eventually plumbed for the pros outweighing the cons so this is the third time we’ve presented what, when it comes down to it, is an arbitrary choice of remembered listen. Albums that have stood the test of (a relatively short) time, the ones we’ve returned to or recommended to others in the pub. Above all it’s been fun to look back, read the reviews and see if they still stand. So with this in mind the following are the official Blabber’n’Smoke 2014 picks, in alphabetical order.

Blue Rose Code. Ballads Of Peckham Rye
Birds Of Chicago. Live From Space
Fire Mountain. All Dies Down
Bradford lee Folk and The Bluegrass Playboys. Somewhere Far Away
Cahalen Morrison & Eli West. I’ll Swing My Hammer With Both My Hands
Jim Keaveny. Out Of Time
Parker Millsap. Parker Millsap
Michael Rank & Stag. Deadstock
Sturgill Simpson. Metamodern Sounds In Country Music
John Southworth. Niagara

Random honourable mentions go to

Lucinda Williams Down Where the Spirit Meets The Bone,
The Johnny Cash Native American album reboot, Look Again To The Wind,
Danny and The Champions Of The World’s Live Champs!
Dan Michealson & The Coastguards Distance
Cale Tyson’s EP, High On Lonesome,
Luke Tuchsherer’s debut You Get So Alone at Times It makes Sense,
Petunia’s Inside Of You,
Ags Connolly How about Now,
Chris Cacavas & Edward Abbiati. Me And The Devil along with Abbiati’s band Lowlands who delivered the excellent Love Etc.,
Zoe Muth. World Of Strangers,
Hank Wangford & The Lost Cowboys. Save Me The Waltz .
Grant Peeples and the Peeples Rebublic. Punishing The Myth.
Simone Felice. Strangers.
Bronwynne Brent. Stardust.
Sylvie Simmons. Sylvie (allowing an honorary mention here for Howe Gelb who produced).
The War On Drugs. Lost In The Dream.
Lynne Hanson. River Of Sand.
Gal Holiday & The Honky Tonk Revue. Last To Leave.
And finally John Murry’s EP, Califorlonia which is brilliant and hopefully just an appetiser for his follow up to the majestic Graceless Age.

Digging through the archives it’s been noticeable that there’s been a fine contribution this year from Scottish acts who dip into or draw from an Americana well to a greater or lesser extent. While Blue Rose Code’s Ballads Of Peckam Rye features above the following are all stellar contributions to the local scene.

Dropkick. Homeward
Dumb Instrument. The Silent Beard (with the Scottish song of the year, Suffering from Scottishness).
John Hinshelwood. Lowering The Tone.
The David Latto Band. Here Today, Ghost Tomorrow EP
Norrie McCulloch. Old Lovers Junkyard
The New Madrids. Through the Heart of Town.
Red Pine Timber Company. Different Lonesome
The Rulers Of The Root. Porky Dreams
Ten Gallon Bratz. Tales From The Long Shadows

Although his album, Little Glass Box came out in 2012, Fraser Anderson is a major find of the year while another local lad, Daniel Meade unleashes his Nashville recorded Keep Right Away in January. Hopefully folk will have long enough memories to recall this when it comes to compiling the 2015 lists. In the meantime it can be first on the New Year shopping list.

Cale Tyson. High on Lonesome EP. Clubhouse Records

2014 is turning out to be a fine year for new artists delivering new music that is steeped in a country tradition. After Sturgill Simpson’s magisterial retake on hard core outlaw country along comes Cale Tyson, a new signing to Clubhouse Records who grasps the sound of Hank Williams and George Jones in a warm embrace to deliver some wonderfully honky tonk soaked, tear stained ballads. The sound Tyson and his excellent band produce is mesmerising with the guitars and pedal steel given a spectral feel, as if Santo and Johnny of Sleepwalk fame had turned up at the Grand Ole Opry or Chris Isaak had joined Petunia and The Vipers. At heart however this is pure Country and the opening song, Honky Tonk Moan, is a perfect example as the Hawaiian sounding pedal steel introduces the band who clip clop into view while Tyson moans like Hank Williams. It’s an almost perfect song with Kenny Vaughan’s electric solo dripping with class as the song weeps out of the speakers, guaranteed to melt the heart of all but the stoniest listener.

One could be forgiven for expecting the remainder of this seven song disc to fall short of the standard set by Honky Tonk Moan but Tyson rises to the challenge with a set of songs that at times are better in that they are less anchored in the past. Is the Flame Burning Low is another tear stained waltz with more George than Hank. With a lighter touch on pedal steel, a more acoustic feel and some fine piano added to the mix Tyson croons wonderfully albeit with a lump in his throat. Lonesome In Tennessee is another love letter to a lost girlfriend (and by now one is wondering if Tyson will ever get to keep a gal) which adds a female chorus to his love raddled misery while the band are yet looser with drummer John McTigue adding a touch of drama with his cymbal work. By now it’s clear that Tyson is destined to be lonesome and Not Missing You adds a touch of defiance as he determines to move on from his heartbreak. Despite this, it’s still a sorrowful song with the sense of loneliness accentuated by a fine fiddle solo from Christian Sedelmayer. Again, the song is in waltz time but on this occasion one can hear the influence of another of Tyson’s heroes, Gram Parsons, in the vocal delivery and lyrics.

There’s a change of tone next as Long Gone Girl is given a darker, bluesy feel. Tyson is more judgemental here, his girlfriend drug addled and dragging him down. Sounding not a million miles away from The Doors on LA Woman the band lay down a neon rain specked vibe while Tyson’s lyrics are evocative and bang up to date.
Now my mind is racing faster than a car/Back in Texas for a night I’m playing in a bar/She calls me up ‘cos that girl is never quite too far/Saying Baby, come back home to me/I live like a sunset and all your drinks are on me/Though when I return she’s too coked out to see
This is brilliant story telling that raises the hair on the back of your neck recalling Jim White’s more spectral moments but following this we’re back in traditional territory as Old Time Blues returns to George Jones’ like laments while Thorn In My Side returns to the Hankness (if there is such a word) of the opening song. Again it’s a pitch perfect capture of raw country music back in the days when giants ruled the Opry although there is a hint of Parsons in the delivery.

Overall Tyson shows that he has an extraordinary ability to capture and repackage what some folk might consider to be the golden age of Nashville while tweaking it somewhat to bring it up to date. A post modern take on Parson’s Cosmic American Music perhaps, indebted to the elders, topical topics on occasion but overall infused with the spirit of Country music. Whatever it’s one of the best discs we’ve heard this year. The EP is released in early November on Clubhouse Records

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