For their first ever show in Glasgow Giant Sand landed at the ABC in Sauchiehall street as part of this years Celtic Connections. Howe Gelb has played several solo gigs here over the past ten years or so but this was the first full blown Sand experience and it was well worth the wait. While the latest album Blurry Blue Mountain featured heavily there was a fine nod to the current reissue programme by Fire Records who are releasing around 30 past Giant Sand/Howe Gelb records in remastered and expanded formats. Accordingly we were treated to blisteringly hot renditions of Thin Line Man and Valley of Rain in their full blown guitar mesh. While the crowd (and it was crowded) went wild for these Ride The Rails (from the latest album) matched them for intensity.
Blabber’N’Smoke was able to grab some time with Howe for an interview before the gig, some of which will be posted here soon. In the meantime here’s some pictures of the event.


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Tag Archives: Giant Sand
Howe Gelb & A Band of Gypsies. Alegrias
As the mainstay of Giant Sand Howe Gelb has slowly, over the past twenty years or so, built up a reputation as one of the stalwarts of what we call Americana. Whether with the shifting line up of Giant Sand or solo he has blistered, strummed, crooned and goofed around on over thirty albums. His star shone most brightly however with the release of ‘Sno Angel, an album recorded in Canada with a gospel choir that garnered rave reviews and exposed him, however briefly, to a wider audience. The album was a mixture of familiar old songs and some new ones but the relatively straightforward renditions (by Gelb standards) showed him to be a great writer and performer.
Five years on and he’s done it again, this time in Cordoba, Spain with a cast of gypsy (their description) musicians. The flashing guitars, flamenco stylings and sheer brio enhance another brace of songs from his back catalogue that is wildly exuberant and brimful with an effortless sense of cool. The overall feel is of an informal “juerga, where flamenco musicians jam together enjoying the music and each other’s company and according to the press this is what happened when Gelb stumbled across these musicians essentially flamenco star Raimundo Amador’s group. While many folks notion of flamenco is that of The Gypsy Kings’ flamboyant Bamboleo, this is a more measured, slower, sexier traditional sound, not too far removed from the Mexican influences which abound in Gelb’s home town of Tucson.
The reworkings of songs such as Uneven Light of day, Always Horses Coming and Where The Wind Turns The Skin Into Leather are recognisable as Giant Sand songs but the loose limbed renditions evoke lazy sunny siestas, mañana made musical. Gelb’s voice has never sounded better, weathered smooth into a sexy, sultry croon. Along with the remakes there are several new songs written in Cordoba, none better than Broken Bird & The Ghost River. This beauty floats and shimmers with a female chorus that evokes the best of sixties Euro pop.
All in all this should be the album of the summer, heard in pavement cafes and town squares and on a hi-fi near you.
Alegrias means “joy,” you can read a great interview with Gelb here where he describes the genesis of the album and you can buy it here
Broken Bird and the Ghost River
