Mark Billingham & My Darling Clementine. The Other Half. Hachette Audio.

On their two albums as My Darling Clementine Michael Weston King and Lou Dalgleish have celebrated the country tradition of singing songs about ordinary people and their day-to-day trials and tribulations, wrecked romances, succour in a glass of booze, trying to retain a dignity in the face of ongoing emotional blows. Their template has been George Jones and Tammy Wynette who, despite their successes, had their own troubles to deal with which were played out in the glare of publicity. My Darling Clementine’s triumph is their ability to inhabit the same world as George and Tammy in song with How Do You Plead and The Reconciliation almost mini soap operas peopled by life’s losers.

The Other Half takes this approach a tad further as My Darling Clementine offer a soundtrack to crime writer (and country music fan) Mark Billingham’s series of vignettes of life in a Memphis bar. The main protagonist, Marcia, is an ex Vegas showgirl, her beauty now fading and her circumstances reduced as she caters to the regulars who all have their own back stories. Billingham tells their tales as extracted by Marcia in her chats with the drinkers along with her imagined embellishments as she attempts to fill in the blanks the customers are unwilling or unable to complete. They all share a loss, a partner gone, in jail, with someone else perhaps; they all share a solitary existence stuck with their memories. Marcia is no different, she struggles to pay for her elderly mother’s care, her daughter has run off with a musician and she daily awaits a phone call from her own missing partner. Billingham weaves these tales together in a deadpan style that readers of Willy Vlautin will recognise.

While the stories are printed in the CD booklet allowing one to read The Other Half in the traditional style the disc consists of Billingham reading each short story with a song from My Darling Clementine at the end of each one. The songs, the majority of which are reworkings from the two previous albums, cleverly reflect the preceding story in Marcia’s imagination; No Matter What Tammy Said (I Won’t Stand By Him) follows on from Donna’s admission that her husband is on Death Row while Going Back To Memphis is a rare ray of light as Marcia’s partner eventually gets back in touch. The narration by Billingham is punctuated by the characters’ voices played by King and Dalgleish along with David Morrisey, Graham Parker and Florence King. As always, King and Dalgleish sing wonderfully together with the pared back acoustic setting giving songs like No Heart In This Heartache and The Other Half a new lease of life. The backing by the Brodsky Quartet on No Matter What Tammy Said adds piquancy to this tale of domestic abuse. There are two new songs. Friday Night At The Tulip Hotel describes the secret love trysts of a couple which end when the married male doesn’t turn up one week leaving the guilt-ridden woman to believe “she got what she deserved.” As Precious As The Flame, co-written by Billingham and My Darling Clementine, ends the album on an upbeat note recognising that while the fires of young love might not burn forever it’s possible to retain a passion albeit tempered by reality as King and Dalgliesh sing, “It’s slowing up, it’s messing up, it’s cleaning up and saving up. Remembered thrills, It’s tales all told, it’s paying bills and growing old.” By allowing for the hope of a happy ending the song mirrors Marcia’s journey as she moves on. The result is an engaging listen, perfect for a car journey or to savour at home and whets the appetite for the next full album from our very own first couple of country music.

My darling Clementine and Mark Billingham are touring The Other Half around the UK. Dates are here including three appearances at The Edinburgh Fringe Festival in August.

My Darling Clementine website

Mark Billingham website

The Other Half website

Glasgow Americana- Israel Nash Gripka/My Darling Clementine

No sooner than No Mean City ends another Americana themed festival hits Glasgow in the shape of Glasgow Americana hosted by Fallen Angels promoter Kevin Morris. Packed into a week of mouth-watering gigs in a variety of venues this years event sees stellar names such as Israel Gripka Nash, Slaid Cleaves, Laura Cantrell, Darden Smith, Madison Violet, Devon Sproule, My Darling Clementine, Anna Coogan and Dean Owens appearing. The week culminates in a tribute evening celebrating Gram Parsons featuring James Grant, Roddy Hart, Madison Violet, Ben Glover, My Darling Clementine, The Parsonage Choir and The City Sinners.
The Parsons tribute night and the Cleaves show are already sold out so folk intending to attend any of the other shows would be well advised to head over to the website and book their seats now. In the meantime we thought we’d delve into some of the wares likely to be on sale at the various gigs.
We’ve already mentioned the excellent new release from Slaid Cleaves and the latest live offering from Madison Violet while Anna Coogan has long been one of our favourites. However it’s with a degree of serendipity that albums from My Darling Clementine and Israel Nash Gripka have recently dropped into the Blabber’n’Smoke mailbox with both of them boding well for their Glasgow appearances.

My Darling Clementine are husband and wife team, Michael Weston King (ex The Good Sons) and Lou Dalgleish and their album, The Reconciliation? is a celebration of classic country male/female duets with some southern soul thrown in for good measure. It’s not a pun to say that this effort appears to be a labour of love as everything about it appears to have been well crafted from the song writing and magnificent playing to the superb packaging that has a faded and scuffed vinyl album patina looking like the sort of platter one might find in a charity store bin. King and Dalgliesh spar and croon as well as any of their forebears including Tammy and George, Dolly and Porter and even Emmylou and Gram while the music flits from honky tonk to tear jerking Nashville rhinestone ballads and soul farm grit with backing from Richard Hawley’s band for the most part. There are no happy songs here although the final cut Miracle Mabel tells of the birth of King and Dalgleish’s daughter with a fine tenderness. The majority of the songs are about breakups and divorce (Unhappily Ever After featuring a guest vocal from Kinky Friedman standing out) and while there’s a barb in some of the lyrics where they strip away the showbiz tears and schmaltz and reveal the reality of domestic abuse and alcoholism ( No Matter What Tammy Said (I Won’t Stand By Him) for example stands Wynette’s melodrama on its head as Dalgleish abandons her man) listening to the album one could almost be sitting in a flea bit bar with a great jukebox belting out each of the songs here and quietly shedding a tear in one’s beer. Magnificent.

Israel Nash Gripka has been well regarded for some time with his two previous releases garnering favourable reviews. Now ditching the Gripka he unveils his latest offering Israel Nash’s Rain Plans following a relocation from his native Missouri to Austin Texas. God knows what Austin has done to him but if he could bottle it he’d make a fortune as this album astounds from start to finish. Nash wallows in the sumptuous sound that characterised the glory days of Crosby, Stills, Nash and Young with particular emphasis on the Young contribution. In addition there is a sweeping pedal steel vista that hovers over and around some visceral guitar work that sends shivers up the spine evoking Jerry Garcia’s work on Crosby’s seminal work If Only I Could Remember My Name. All of this might mark Nash as a mere copyist or revivalist but the sheer beauty of some of the songs here soon overwhelms any such thoughts with the middle eight and outro in Myer Canyon in particular stunning the listener into a state of awe. Guitars weave and wander with a ferocity and lyricism that defies description and he repeats this throughout the album and there’s a moment in the title song where the guitars fizz and burn just like the best firework you’ve ever seen. Rather than go through this album song by song it’s sufficient to say that it burns brightly and holds its freak flag high and is a contender for the album of the year. If Nash can deliver even a tenth of this energy live then his show will be incandescent.

Check out the Glasgow Americana website