Orit Shimoni. Lorem Ipsum.

The last time we encountered Orit Shimoni, the nomadic Canadian singer/songwriter, her endless travels had, unexpectedly, ended. Covid had stranded her in Winnipeg, hunkered down, and forced to find a semi permanent place to stay – a strange state of affairs for a musician who, literally, had been on the road for 11 years.

Stuck in Winnipeg, Shimoni released the wonderful Strange And Beautiful Things, a collection of songs she had recorded earlier in Toronto with a full band line up. She follows it up with Lorem Ipsum, a truly solo effort recorded in her flat using “a failing, noisy laptop, a cheap microphone, and, free, basic recording software.” She admits that this was a time of deep despair, not only due to the pandemic but also the extreme polarisation, ignorance, and hate she was seeing across the world. Seeking some solace in her song writing she realised she had songs already written which fitted her mood and, having recalled 11 of them, she set to recording them in one all night session. The result is this lo-fi record which, in spite of its humble origins, positively speaks to the human condition and is yet another reason to consider Shimoni as one of the most under rated songwriters and singers of our time. On some songs here, blood and tears truly flow. Smithereens is a chilling description of the aftermath of a suicide bombing and is Dylan like as it encompasses empathy and condemnation. Another venerable songwriter, Leonard Cohen, comes to mind on It’s Good That You Died When You Did, primarily due to the song’s delivery and cadences but also in the fatalism on display. Horse, a stark portrait of an act of violence inflicted on an animal is delivered in a winning  amalgamation of both Dylan and Cohen. Mention of them does point to the album being akin to mid 60s folk and there’s a perfect example of Shimoni drawing on that tradition when she dips into whimsy to unveil the real violence visited upon people on Show Me A Picture as opposed to cartoon violence. While a bomb in a Roadrunner short might just be just a kaboom moment with no fatalities, in real life it maims and kills. Meanwhile, her notion that, in real life, liars’ noses should grow, just like Pinocchio’s, is a definite winner.

Shimoni bares her soul on several of the songs. It All Comes ‘Round Again finds her recalling The Holocaust with her parents reassuring her that it is in the past, only to see that, across the world, atrocities still occur with nations  still putting kids in cages. Maybe Tomorrow is truly a lockdown song, a claustrophobic nightmare. My Flying Shoes (the title a nod to her hero, Townes Van Zandt) is perhaps, the crack which lets the light in as she sings of getting back to doing all the normal things which we all took for granted before we were all locked down. The album closes with its most powerful song, Sing Back To Me, a metaphysical plea to join together, cast aside enmities and accept that we are all cast from the same mold. Here, Shimoni approaches the visceral and spiritual appeal of Patti Smith at her most mystical. Overall, Lorem Ipsum is a cry from the heart and it deserves to be heard far and wide.

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Orit Shimoni. Strange And Beautiful Things.

a3775197937_16Perhaps the most nomadic musician we know, Orit Shimoni lives nowhere and everywhere. For ten years, Shimoni has relied on a network of fans and friends as she criss-crosses her native Canada on train and bus to sing and then sleep wherever she is offered a bed or even a space on a floor. It’s a measure of her fan base that she has even ventured many times to mainland Europe similarly relying on the kindness of strangers, fans and friends. Lockdown caught her in Winnipeg where she’s living in a basement, possibly her most permanent residence for several years, but several months earlier she took some time out in Toronto to record Strange And Beautiful Things with a fine bunch of musicians. The result is the most fully realised recording she has released since her days in Little Birdie, with the band (and especially the use of trumpet and harmony vocals) creating a sumptuous surround sound for her always excellent voice.

Shimoni opens the album with the seemingly lightweight New Orleans jazz of the title song. It’s an immediately likeable number as the band skip in after her countdown but then she sings, “Look around, all you see are constellations, Patterns of abuse and patterns of migration. Following the stars, trying to hide their scars…,” and the song takes a different trajectory from the hummable ditty one might expect. Ultimately it’s an optimistic number as Shimoni accepts the duality of life and has decided to grasp onto the strange and beautiful things she has encountered.

The sunny aspect of the opening number is a bit of an anomaly as the remainder of the album is a mix of smouldering bluesy ruminations with brief excursions into country and folk. Shimoni has said that most of the songs here were written over several years but saved for recording with full band arrangements. A listen to the late night neon slicked Song For Townes is enlightening for those who know the sparer version (on Lost And Found On The Road To Nowhere). Written by Shimoni as she slept over in a room once used by Van Zandt, the song, another written around duality, this time God and The Devil fighting for the songwriter’s muse, is impressive in both formats but here it’s infused with a dark and dramatic majesty recalling the likes of the Cowboy Junkies. In similar fashion there’s the slow rumble of Keep On Running, the string laden slow waltz of Delicate Times and the late night swoon of Sharp Tongued Girls but Shimoni then recalls the airy rhymes of Laura Cantrell on the pedal steel sweetened George Street and even pumps things up for the Elvis Costello like Sally.

The final two songs are simpler in delivery and serve to remind one that Shimoni is a powerful performer. One Voice has her assisted by basic bass and rumbling percussion as she sings of a lonely existence. Sweet By And By is simply superb as she sings wonderfully over a simple folk melody -a perfect campfire moment with laidback solos and lovely harmony singing – her voice full of emotion and soul as she evokes gospel music in a cowboy setting.

Over the course of ten albums, Orit Shimoni never fails to impress but Strange And Beautiful Things might be her best yet and it deserves to be heard far and wide.

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Rob Lutes and Rob MacDonald and Little Birdie – Live and Unplugged

There’s some who love live albums and some who hate them. Blabber’n’Smoke are in the former camp believing that a well recorded honest to goodness document of a show can capture elements that don’t always show up in the studio. It’s even better when the recording strips away embellishments, see for instance the fine Unplugged shows from Neil Young and Nirvana. Anyway, the reason we were pondering on this was the arrival of two live albums that deserve a listen.

First off are the Canadian duo of Rob Lutes and Rob MacDonald. Lutes has several albums under his belt and has played with MacDonald over the past decade. While Lutes strums and sings, MacDonald adds some fine finger wizardry on resophonic guitar on a collection that showcases Lutes’ writing with a brace of covers thrown in. Basically a songwriter in the grand tradition Lutes delivers snatches of life lived with a fine degree of imagery and imagination, the lyrics intriguing and evocative. Several of the songs are top notch with I Know a Girl and Throw Me From This Train worthy of entering the canon. The former is a wistful look at unrealised dreams that recalls the deadpan Zen viewpoint of Howe Gelb while the latter is a mournful plea from a dying man. Pulling in influences from the blues, songwriters such as Townes Van Zandt and the late Chris Whitley the 14 songs on show here capture a duo (and occasional back up singers) at the top of their form. The recording is warm and imitate and even if you never get the chance to see them live the disc is well recommended as a worthy snapshot of a fine talent.
http://www.roblutes.com/

Throw me From The train

Our second live album is a completely different kettle of fish. Little Birdie is the name adopted by Canadian singer songwriter Orit Shimoni who with guitarist Andre Kirchhoff has produced two fine albums which at times recall the dulcet tones of Neko case delving into folk blues and gospel. Shimoni’s vocals have always been quite striking while her writing is informed and impressive.
Over the past year or so Shimoni has lived in Berlin, a city that has excited numerous artists due to its ever challenging musical scene and its position as a fulcrum in the tides of history over the past sixty years or so. In particular Shimoni by dint of her Judaism has had to deal with the personal ghosts raised by the events of the past and she addresses this on the song Old Synagogue.
Rather than a live presentation of songs from her albums Shimoni presents a set of songs written during her sojourn in Berlin. Backed by musicians she met while there this is a fairly raw fly on the wall (or as she describes it, “warts and all”) recording with applause, on stage whispers and MC announcement all included. Songs inspired by folk she met (Old Woman and Walls) are the most obvious results of her stay but the centrepiece is the song Old Synagogue where Shimoni tackles the dichotomy between Rabbinical teachings and the reality of history. She delivers this in a reverential tone with sympathetic backing from Nick Redell on violin and it’s the empathy between Shimoni and her pick up musicians that perhaps best reflects what she found in Berlin. Interestingly the opening song No Finer Place is reminiscent of Robyn Archer, a singer who explored pre war German cabaret and the likes of Brecht and Weill.
While Shimoni continues to sing powerfully and her writing is well up to par especially on the closing title song (which approaches Leonard Cohen territory) it will be interesting to see what her next release, also recorded in Berlin will be like. In the interim Sadder Music works well as a document of her progress.

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No Finer Place