Rain Parade. Crashing Dream – Deluxe Edition. Label 51

We’re a bit late to the party with this disc which was officially released at the end of May. In our defence it was only a few weeks ago that the mail man delivered it; post from the States these days is a bit of a hit and miss affair. Anyhow, there was huge excitement at Blabber’n’Smoke as we tore open the package and delved into this remastered, deluxe edition of Rain Parade’s second album. It follows on the heels of the excellent reissue of their seminal debut album, Emergency Third Rail Power Trip, perhaps the pinnacle of the Paisley Underground sound.

Back then hopes were high for the follow-up but an unholy combination of bad luck, corporate music bigwigs, fickle press and line up changes led to Crashing Dream being considered a pale shadow of its predecessor. It did have its champions however and by and large they are vindicated when one listens to this remastered and extended edition.

The band were lauded on the release of their debut album, followed by a live disc and a mini album, all released on the independent Enigma Records, and so Island Records waved their cheque book at the band but with some stipulations. Jim Hill, their regular producer was sidelined, Island preferring their in house man, a situation  of which Matt Piucci said, in an interview with Americana UK , “Although our producer was a nice guy he didn’t really get us.” This situation has been oft posited as the main reason that the album failed but we reckon it’s much more nuanced than that. The remix offered here is little different from the original with the primary changes consisting of adding two live songs to the original album set list and substituting a different version of one song, Sad Eyes Kill, taken from an earlier session, produced by Jim Hill and originally released on a flexi disc by the great magazine Bucketful Of Brains (and generally preferred by the band).

Taken as a whole, Crashing Dream is only a smidgeon away from Emergency Third Rail Power Trip. There’s trippy psychedelia on the title song which, strangely enough, was not included on the original album but is inserted here midway through, a live recording. Then there’s the Hendrix like introduction to Shoot Down The Railroad Man while Don’t Feel Bad contains the full smorgasbord of the tidal wave of psychedelic rock which peaked around 1968 with its hint of exotic Eastern guitar tunings which rival The Byrds’ freakier moments. Listening to the starry eyed Fertile Crescent is a fine reminder that Rain Parade were hailed as heroes by a host of later bands including many of the Scottish jangle pop brigade along with the likes of The Stone Roses.

Crashing Dream wasn’t a success and the band were set adrift by Island Records, eventually splitting up although various members of the band continued to record together. The aftermath is well collected on the second disc of this Deluxe reissue. It features some live cuts (Rain Parade covering Television and Cream), some demos of songs which featured on Crashing Dream and, more excitingly, a brace of songs recorded for what would have been their third album. Of these The Sniper is a pulverising acid trip of a song which weighs into the heavier side of psychedelic rock and Novocaine is an edgy and kaleidoscopic freak out while Tranquillity Base slouches toward Bethlehem with an unnerving sense of dread woven within its hypnotic delivery.

We had to wait 38 years for the third Rain Parade album to come out but this collection offers a rare and rewarding glimpse into what a third album might have sounded like back in the days. Altogether, and it goes without saying really, this finely packaged reissue of Crashing Dream is highly recommended.

Website

Rain Parade. Emergency Third Rail Power Trip Deluxe Edition. Label 51 Recordings.

Although the Paisley Underground was a somewhat nebulous concept, there’s little doubt these days that The Rain Parade’s debut album, Emergency Third Rail Power Trip was the quintessential album of this short lived phenomenon. Released in 1983, the album was an astounding update of the psychedelic sounds of bands such as The Byrds along with several acts who had appeared on the seminal 60s collection, Nuggets.

Helmed by Matt Piucci and brothers, Dave and Steven Roback, the band leaned heavily into their psychedelic forebears, swimming very much against the tide after punk had all but cancelled out the sixties and challenging the shiny new wave pop which was then commanding the charts.

Originally only available as a limited Record Store day release, this deluxe reissue contains the original album remastered (and sounding fresh as a daisy) along with a second disc of demos and live recordings selected by Piucci and Steven Roback. There’s a definite adrenaline rush that hits you as the original album spirals out with the opening song, Talking In My Sleep, replete with chiming guitars, bulbous bass and Eastern scales which immediately induce a 60s’ lysergic daydream, a dream amplified when the following song This Can’t Be Today weighs in with more than a nod to the English variant of psychedelic music. There’s Alex Chilton like desperation on Carolyn’s Song and Look At Merri still sounds as if it were recorded by The Velvet Underground had they hailed from the west coast.

It goes without saying really that, if you haven’t got this album then it’s a must buy, simply for its sacred grooves and the groove which emanates from it. The carrot here is the extra disc which adds 13 songs to the package, a mix of demos and live tracks, six of them ultimately appearing on the album. It opens with a version of What She’s Done To Your Mind, released, as a single which is much less ethereal than the album version and which clings to the sound of The Byrds circa Younger Than Yesterday.  The demos are, as expected, tentative and pretty much unadorned but an exciting insight into their journey while 4 track versions of This Can’t Be Today, I Look Around and Look Both Ways are a step towards the final versions to be heard on the completed album but with a raw energy in them. Six songs, (including Saturday’s Asylum, First Of September and Paper Girl), recorded live, might be lacking in hi fidelity but, cranked up loud, allow that the band were a power on stage. Speedway is a turbo charged instrumental with nods to garage band surf music while they stumble quite wonderfully through their version of Syd Barrett’s No Good Trying.

Overall, this expanded version of an already classic album is well worth a listen and it’s great that it’s no longer confined to those who choose to queue up for a rarity. It’s available as a double vinyl album and a two disc CD set

Rain Parade website