Daniel Meade. Your Madness Is My Medicine

After a couple of albums (Ever Wonder Why you Get Out Of Bed and Rust) which found Glasgow’s Daniel Meade exploring various musical avenues, he returns to his roots with a bang on this exhilarating rock’n’rollercoaster of an album. Reunited with his long time guitar foil, the ever excellent Lloyd Reid and backed by Ross McFarlane on drums and Deke McGee on horns, Meade positively wallows in the barrelhouse rock and roll which he wallops out on piano throughout. It’s a killer album in more than sense as The Killer himself, Jerry Lee Lewis, is a guiding light here with Meade channelling the tousle headed firebrand who shocked the UK way back when he first toured over here.

Alongside Lewis there are healthy whiffs of Fats Domino, Professor Longhair and James Booker. Even the ghost of George Frayne, AKA Commander Cody is in the mix. McGee’s wonderfully fat horn fills are very much part of the joy here as he punches up the sound giving many of the songs a New Orleans vibe.  Drink It Up Now is in the New Orleans tradition of drinking songs celebrated with saloon piano rollicking away while Ain’t What It Ain’t is a classic sing-along song which one can imagine being as popular in a front parlour as a low down dive.

While he’s well able to deliver raucous and joyous slices of vintage sounding rockers, Meade tops it all with his vocal delivery, his voice just on the right side of Jerry Lee like lasciviousness. While he uses traditional tropes he sure knows how to knock them into shape with the best example here the title song with its repeated title refrain although special mention should be given to Got Me On A Good Day and Don’t Look Back, both of them perfect examples of how to update age old rock’n’roll with vigour.

Overall, Your Madness Is My Medicine finds Meade maybe returning to a comfort zone, the sort of music he can knock out without abandon, the sort of songs he was singing with his band The Flying Mules, but that he does it with such style and obvious love for the period just makes the album that much more compelling.

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